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Stargazing

Night encompassed the trees. The trees encircled a large field, enclosing them in a ring. The undisturbed peace of the grassy field was covered by a vast expanse of stars, glittering throughout the deep sky. No clouds were in sight, and the new moon shone dark in the faded background. As a slight wind caused the grass to shiver, small fireflies were carried to and fro, all across the large field. Quiet ruled this night. 

 

Into the field rolled a clunky red truck. Exhaust steamed from the rear, and the wheels crushed the grass as it entered and settled in the middle. A boy, almost a young man, got out of the passenger’s seat and jumped in the truck bed. A girl followed suit soon thereafter, exiting the driver’s seat. 

The boy said “Look at ‘em. Not a cloud in the sky, either.” 

“They’re beautiful. And the weather’s nice, too.”

“Not often you get to see ‘em like this.”

“Not often you get out here, either.”

They laid down on the bed of the truck and the hard surface was remedied by the heat of their bodies together. The boy turned to face her. 

“Do you ever see anything in those stars?”

“Like what?”

“Like, you know, consteliations?”

“Do you mean constellations?”

“Yeah, them things.”

The girl’s eyes searched the night sky for a hint of an outline, and came up short. 

“No, I don’t.”

“Well I sure do.”

The boy’s eyes trailed the sky with a glimmer of wonder in them. The stars reflected off of his wide eyes as the girl turned to look at him, and he began to chuckle. 

“I sure do. May not know what they’re called, but I know ‘em as sure as anyone. I’ve known ‘em all my life.”

“Well I can only see them since the moon is a new moon tonight. For me it usually outshines the stars, anyways.”

“Do you really look that often?”

“Well, no.”

The boy shook his head. “Don’t fib.”

“I only meant the moon gets in my way.”

“Well tonight Mr. Moon did you a special little service and got outta’ your way. Now do the polite thing and look at what he’s showin’ you.”

She leaned back and rested her gaze on the tapestry before her. She could not spot the constellations, and the majesty of each individual, powerful star did not yet hit her, but she appreciated the artisanship of the night. It truly was beautiful, she saw that. The two laid in the truck bed quietly, with the only sound coming from a faint wind brushing against the grass and trees. 

“Come on, let’s get out of this truck.” said the boy. 

“Why?”

“Trust me. The grass is nicer.”

“Fine. Shouldn’t have even brought my truck.”

“Hey there, don’t gimme’ an attitude. Just trust me. I’m tryin’ to be nice.”

“Alright.”

The two laid down in the grass. The breeze could be felt more when they laid on the ground. The girl noticed the dancing fireflies for the first time. 

“They’re pretty too.”

“What are? Oh, yeah, the lightning bugs.”

“I call them fireflies.”

“Same difference. They look like little stars, don’t they?”

“Little stars? Little lights, yeah, but stars are giant balls of flaming gas. Fireflies are just little bugs.”

“You’re missin’ the point, ma’am.”

He got up quickly and snagged a firefly out of the air with his cupped hands. He brought the creature down for the girl to see. 

“See here? This bugger just stays in the palm of my hand. He knows I don’t mean no harm.”

“But you could squish him, or her, in an instant. If you wanted to. And it’s just a bug anyways.”

“But I don’t. He knows that. He knows he’s a little star and he can’t be put out. He just came down to see us and bring us all a lil’ more light, that’s all.”

“Well if the moon were out we wouldn’t even need fireflies. They don’t even give off much light as it is.”

“The moon’s always out, and less light don’t mean no light. Common sense, missy. It’s a virtue.”

The girl’s mood diminished as they lay together quietly in the grass. The wind whistled through the trees around them. It felt as if the whole world lay in the one big field. It felt as if the truck were no longer there, and the quiet music of nature stretched all the way up to the heavens above. 

The girl softly asked “What are stars for? I know scientifically all the hydrogen and chemical gases all react and there’s all sorts of-“

“Stop.”

“What?”

“You’re still missing the point. All you needed to ask was ‘why’ anyways. The stars are up there for a reason, just figure it out yourself.”

“But that’s so vague.”

“Look around. I ain’t stupid. I know a lightning bug is no real star. But it is a little light, like stars, and it’s a movin’ part of this big world. Those stars aren’t part of this world, but this world is actually part of somethin’ bigger, somethin’ them stars are part of, too.”

Silence resumed. The girl began to see the stars and how they seemed immobile, imagined their many flashes and sparks bursting from within. It was still beautiful.

“Some are brighter than others.”

“So are some lightning bugs. So are some people.”

“What do you make of it all?”

The boy let the firefly flit out of his hands into the night sky. It swirled in the wind for a moment before flying away, blinking faintly against the black of the trees. He saddled himself up and faced her. 

“I take it’s a grand sorta’ paintin’. I wasn’t there when all them stars blew up to size and all that. I just know that it ain’t a random occurrence. Just like every lightning bug has it’s place to land, and the wind blows the grass just right in certain places for certain stuff to happen.”

“The fireflies are beautiful too, you know. I guess.”

“Sure I know. It’s all beautiful. All the same beautiful.”

“And the grass is nice, and it’s cool down here.”

“Seems to me you might be comin’ around to sayin’ I’m some sorta’ right!”

“About some things.”

He gently took her hand. “I know you’ll see.”

“See that the stars are there for some crazy reason? Like that they have some zodiac purpose or change something here on Earth?”

“Nope. Just that it don’t matter at all why they’re here or how they got here. Only matters what they do. And what they do best is provide light and look good doin’ it. People just miss ‘em all the time behind the clouds.”

“I’m glad there aren’t any clouds tonight.”

“So you can see them stars don’t just sit there and exist. You just can’t see it from way down here. You gotta’ believe it, even though you can’t see it.”

“Gotta’ trust what you know, right?”

“Exactly, ma’am. Exactly.”

“Maybe it doesn’t matter why the stars are what they are and where they are. Fireflies too.”

Still holding hands, the two laid peacefully in the tall grass. 

“You know what?” said the girl “I think if the moon was full it would look even better.”

The boy smiled to himself. “I think you’re right.”

“I’ve just never looked at it all before like this.”

“Changes things, don’t it?”

“Yeah, I guess it does.”

 

A breeze murmured through the field as a girl and boy laid down, eyes towards the stars. The girl outstretched her arm, pointing towards a light in the dark ocean of sky above, and then towards another and another. Their hands gripped tighter, and they almost forgot that the red truck existed at all.

Peter Petroff

Spiders Leave Wonders Wondering

CONCORD, N.C. – In a game where patience and hustle were vital, the Concord Spiders (14-1-2) edged
out the A.L Brown Wonders (12-2-1) 1-0 and took control of first place in the Southern Piedmont
Conference (SPC).
Following a Spiders overtime loss to their biggest rival two weeks ago, Concord head coach Todd Tinsley
put the mindset of “this is just the next game in the SPC” into his team’s head. He did not want the
Spiders to allow their emotions to get the best of them in such an important game with first place in the
conference on the line.
Throughout the entire game, the defenses of both teams suffocated the offenses. Whenever the teams
had the ball, especially in the box, defenders instantly surrounded the ball making advances difficult.
The suffocating defense from both sides made the window of opportunity for scoring chances small.
The Spiders caught one of these opportunities with 6:40 left in the first half when senior Nate Scardina
set up fellow senior Alex Mondragon right in front of the net for an easy goal, his fourth of the season.
The Wonders believed they had broken through with nine minutes left and began to celebrate only to
have it soiled by an offside call that would haunt them as they had few chances to avenge the mistake.
A key factor to this game was the play of senior keeper Emmanuel Konneh. His aggressive play in the
goal prevented the Wonders from playing much in the box. Whenever a ball came into the box, Konneh
swallowed it up, avoiding a few close calls at times.
Tinsley said the key moment of the game wasn’t the goal by Mondragon but instead came in the last
few moments of the game.
“It’s always the last moment, and it was Emmanuel’s save,” Tinsley said. “Emmanuel came up huge.”
With less than five minutes left to play in the game and the Wonders on the attack, Konneh stopped a
rocket of a shot to preserve his seventh shutout of the season and the Spiders’ win.
The Spiders return to Robert C. Bailey Stadium on October 8 to play the Central Cabarrus Vikings.

Noah Monroe

HOW ARE THEY REAL? THEY MOVE

Just as real as the wind touching my face
the grace of God changes the hearts of those who don’t even know His name 
how are they real? they move
I can see the leaves and trees flow in the breeze 
just as I see broken, renewed hearts showing His glory 
I cannot see God or the wind 
but I see their effect everyday 
in the simple way the trees sway,
the way hateful people are showing love and grace 
how are they real? they move
from one person to another, from one leaf to the next, we cannot see them but we feel their presence 
with us always and moving still 
the wind and God are forever real

Madison Penninger

Similarities and Differences of Shakespeare’s Tragic Heros

A tragic hero, someone so vital to a play’s tragic story, evoking pity and a sense of sorrow from the crowd due to his or her inevitable self-destruction. Two specific tragic heroes are perfectly captured by Shakespeare: Othello from Othello, and Brutus from Julius Caesar. Othello and Brutus resemble each other quite well with their fierce ambition, respectable roles in society, and manipulation that leads to their downfall. The details of their stories, however, play out differently. They both have different tragic flaws, and their mindsets throughout the play are in two very different places. Although Othello and Brutus had differences regarding hubris and specific reasoning, their flaws led them both from a respectable position in society to their fatal tragic end.

A similarity between Othello and Brutus is their social stature in society. They are both very well respected, ambitious, and trusted by many. Othello is seen to be a top- ranking official in the military, which gives him honor and respect from lower officials that look up to him as a leader: “Thanks, you the valiant of this warlike isle that so approve the Moor!”(Othello 2.1.45). Through the military, he has gained many connections. With these connections, he gains the trust of people around him to make important and influential decisions. Brutus is a Roman Republican senator, making him very influential over governmental issues that directly affect the people of Rome. The people of Rome trust him because he is Caesar’s right hand-man: “For let the gods so speed as I love the name of honor more than I fear death.” (JC 1.2). Being a friend to Caesar gives him even more of a reason to be considered a very honorable and respectable man. 

Both of these characters come to a tragic end, but they do so in their own ways. Othello’s tragic flaw is jealousy, seen when he starts to lose trust for his own wife, Desdemona, after she tells him the truth about Cassio simply being her friend: “If to preserve this vessel for my lord from any other foul unlawful touch be not to be a strumpet, I am none.”(Othello 4.2.89). Things start to unravel even more for Othello when he not only loses trust for Desdemona, but also his other true friends and instead only confides in Iago, who is the mastermind behind Othello’s downfall. Iago puts ideas into Othello’s head, saying things like, “[s]trangle her in her bed, even the bed she hath contaminated.”(Othello 4.1.197). Brutus’ tragic flaw is being naive when Cassius was convincing him to assassinate Caesar and making him believe he was not fit to rule: “And why should Caesar be a tyrant then? Poor man, I know he would not be a wolf, but that he sees the Romans are but sheep.” (JC 1.3). Caesar had not done anything wrong to Rome, but Cassius being manipulative led Brutus’s pride and nationalism to cloud his better judgment. Both of their different journey’s ultimately lead them to their same tragic end-- sucide. Othello commits suicide after he realizes that Desdemona was faithful, and he is not able to live with the harsh truth of killing his loving wife, as expressed in his cry, “O cursed slave! Whip me, ye devils, from the possession of this heavenly sight! Blow me about in winds! roast me in sulphur! Wash me in steep-down gulfs of liquid fire! O Desdemona! Desdemona! Dead! Oh! Oh!” (Othello 5.2.290). Brutus also commits suicide after feelings of regret from killing Caesar, as he could not live with such a heavy burden.

Although Othello and Brutus had differences regarding hubris and specific reasoning, their flaws led them both from a respectable position in society to their fatal tragic end. Shakespeare cleverly took the similarities of a tragic hero, and twisted them craftily into two very different stories. Every tragic hero story has a basis, given by Aristotle, but by analyzing both Othello and Julius Caesar, it is clear that new and innovative stories can be made, and invoke the same goal reaction of pity from the audience.

 

Works Cited:

Othello: Entire Play, shakespeare.mit.edu/othello/full.html.

Julius Caesar: Entire Play, shakespeare.mit.edu/julius_caesar/full.html.

Sophia Petroff

My Trip to Cuba

I traveled to Matanzas, Cuba for a mission trip in the summer of 2018. As my family traveled to Matanzas after landing in Havana, I knew that we were in for a challenge when I saw piles of waste in the street and crumbling cement buildings. The first task of our mission trip was to buy enormous bags of rice and beans off the black market, and separate out portions for needy Cuban families. Cubans have a ration of food from the government that is not enough to feed them for the month, and if they don’t have much money, it is difficult for them to afford more. I was joyful that we got a chance to help people, but it made me realize that only a sliver of Cuba is able to share that joy with me. There were so many more families that we were not able to reach. 

The Cuban recipients of our food distribution appreciated our work. The Cuban people had a lot of gratitude, and found happiness easily. Without much money and having limited opportunities, they still found a way to be positive and always smile. In America, there are people who lack gratitude. These people may or may not be wealthy, but they still have opportunities. Cuban people have limited opportunity for advancement. They can go to school, get a good education for free, become a professional, and still only make around 20 dollars a month. This gave me a perspective that I should always be grateful for all the opportunities that are available for me in America. 

I came back home with a new perspective, and have more gratitude for the everyday things in my life that I took for granted before, like a full refrigerator. I am also thankful that I could make connections with people there. Even though the Cubans may have struggles, we are similar in many ways, and we were able to connect even just by laughing and smiling. If missionaries continue to go to Cuba and build relationships, hopefully Cubans will be reminded that they are not alone in the world.

THE FINE LINE.

Love meets hate and although the two are so different and never work they are somehow human nature’s favorite pair. What happens when the space under the starts is filled with minds who live on the fine line. When those people can only have one foot in each part, pulling, twisting, and soon falling apart. 
What happens when a girl doesn’t know how to live a life in the pits of her own self love and hate. The wrath of hate marred and fought every day by love. What happens when her mind is at war deep within the trench line. She fights and fights with no avail, was this her place, the fine line of love and hate? 
She was made for the hate and the selfish but raised in the love and light. How does a mushroom made for the dark live in the sun. They live in the fine line in the great divide. 
The girl's mind falls deeper and deeper. 
The sun is no longer a thing to be seen. 
Maybe this is why she was made for darkness, because she lives on the fine line. 
One day, she tells herself but in the darkness the way she is made is so clear and easy. Why love is so hard, hate is easy. She fights but closer and closer she finds a side of the line. 
Until, she is pulled back, she knows she could be better. 
She knows things could be different. 
But this girl, this girl, lives on the fine line, with no help of choosing a side. 
I live in the cave, a cage of my own mind. 
I am the girl on the line. 
I am the girl with no help of choosing a side.

Madison Penninger

STATIC

static
we sit behind a window pane
becoming more frantic
as time charges by like a train
winds of death
sweep through the city street
no one can catch their breath
hoping to never meet
the evil one never sees
continually growing distant
though we can still hear the pleas
lives may seem dormant
but we will stay strong
and commend those who are fighting
so we can show this virus that it does not belong
in this time of waiting
please be pragmatic
in your decision making
so we no longer have to stay static.

Grace Smith

Cheers to Othello

The director of “Cheers” Season 2, Episode 4 uses Othello to increase the intrigue and hilarity of the episode through dramatic irony. In the episode, Andrew, an ex-convict who once murdered a lady, comes into Sam’s bar and attempts to rob the place at gunpoint. After being stopped and apprehended, Andrew laments his situation and remarks that prison is his “home” and he has no useful skills or dreams, besides being an actor. Diane, a waitress and romantic partner of Sam’s, attempts to help Andrew accomplish his dream of being an actor by training him over the next week and setting up an opportunity for him to perform for a renowned theater professor. Over this week, Andrew becomes attracted to Diane in a romantic way, telling her right before their scheduled performance of a scene from “Othello” together that he loves her. Sam comes in right as Andrew goes to change into costume, and he and Diane kiss as Andrew comes into the room and he sees them. This sets Andrew into a fit of rage, believing he and Diane to have shared a romantic connection rather than Sam and she, with alludes to “Othello” in which Othello believes his friend Cassio is secretly involved in a romance with his wife Desdemona. In the scene from “Othello” where Othello strangles Desdemona, Andrew plays Othello and Diane plays Desdemona, ironically setting up Andrew to unleash his rage upon Diane in the same way that Othello does so upon his wife in Shakespeare’s tragedy. The audience understands this, but none of the onlookers in “Cheers” do, and Diane attempts to skirt having to perform so Andrew does not strangle her in reality. This dramatic irony increases the tension as Diane can be seen struggling to go through with the performance that everyone else at the bar is expecting, because viewers know she has a real fear for her life. 

This episode of “Cheers” alludes to Othello pertaining to plot, but it also relates to the work in other ways. It plays right into the theme of the episode’s story as well, as Andrew is a convicted murderer who has been given a second chance by Diane, even though she could have had him turned into the police when he tried to rob the bar. She tried to change him for the better, but he ultimately reverted back to his natural murderous self when push came to shove. This fits the theme in “Othello” as well that one cannot escape their natural selves and tendencies, as Othello is characterized by his physical prowess and is seen as intimidating and dangerous because of his race, and ultimately acts upon such directives at the conclusion of the play, which fit his stereotypes regardless of what kind of person he actually was. 

Anonymous

Synesthesia

Oh, Valentine's

Candy Grams and love notes

All dance around the minds

Of young, unknowing students

Who hope themselves to find

A name, a number, something

To latch themselves thereon

As budding hearts a-crushed

Stamp feet the day upon


With cars and cash approaching

New gifts of Valentine’s

Potential and exciting

But mostly wrapped with lies

Are given and are taken

But much to most’s chagrin

The gift is oft mistaken

And cannot be taken again


Once livelihood’s established

And do’s and not-to-do’s

The holiday seems friv’lous

Yet longings darkened stew

And when the knot is taut

And gifts are finally time

From Christmas to February fourteenth

Birthday season’s now outlined

Peter Petroff

Ads

I was watching the football game. Not my team, nah. But it was a good one, sure. Big-name schools duking it out on the big screen. Amusement.

    During the lull between gameplay and on-field politicking, the ads rolled in. Of course they did, why wouldn’t they? Ads play on television all the time, on just about every channel, so it wasn’t a surprise at all. A chicken advertisement was the first to play, sauced-up wings bouncing around on screen unrealistically. With uninterest I let myself stare at the ad as it played.

    The chicken looked good, but I wasn’t hungry, so it didn’t really make me want to go out and buy it “right now.” But I thought about it. I’d be hungry later, eventually, right? And then I’d buy it, maybe, if I felt like that kind of chicken and if it were close enough, or not. If… if I were able to.

    What? Advertisements are designed to get people to buy stuff, to make it look as good as possible, as helpful as possible, as necessary as possible, whatever. But what if you couldn’t buy stuff? Well, then, that made you entirely useless to the company advertising, didn’t it. Even someone who sees the commercial and tells themselves “I will not buy that” has a better chance of still buying it regardless.

Anonymous

Sophia Petroff

I am a synesthete. My auditory and visual senses work together so that music evokes colors in my mind. This creates a mood that often inspires me to write. Each of my twenty-two short stories has been influenced by this way in which I connect music to moods and words.

I was listening to Ember Island’s “Umbrella” one evening with no plan to write. But the soothing tones of the song conjured dark brown and orange. In this instance, dark brown meant poverty. Orange might signify happiness, hope, or heroes. On this occasion, it represented hope. A story started to roll out before me as the song played.

The way that my synesthesia works is like me: Whether it be performing on the piano or viola, discussing finance topics through my vlog or speaking Chinese, competing in sports or volunteering, the varied hues of my interests blend to make my story. I am not myself without the entire palette. Through my writing, I share the perspective that my synesthesia gives me. I also use my experiences in writing with a group of students to elicit creativity from my peers, whatever their unique sources for it might be. I want to understand them better through their contributions, because I know that I want to be understood through mine. My work becomes better as we collaborate on ideas and improvements to our narratives, so I welcome the constructive criticism and take pleasure in the shared goal.

Anonymous

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